It's not filled with beautiful shots but MOMENTS.

The Jungle Book brings back Jungle Fever!

Written by

Thursday, 14 April 2016 - Last Updated on April 14, 2016
It's not filled with beautiful shots but MOMENTS.
A near-perfect film in content and execution.

A near-perfect film in content and execution.

Forget about your worries and your strife…’coz this movie is magnificent!

I can’t really think of a better way to describe this film except to say that I left the cinema feeling deeply satisfied. I kept telling my friend, “ganda nun ah”, as if she didn’t already hear it the first 3 times or so. It’s not the fist-pump, adrenaline-fueled, Guardians of the Galaxy kind of satisfaction, but the subtler, more soulful, aww-man-was-that-nice kind of satisfaction.

The Jungle Book is the latest of the series of live-action classic Disney animated movie reboots. Directed by Jon Favreau (Iron Man), The Jungle Book tells the story of Mowgli, an orphan boy raised as a wolf and as part of a pack. When a spiteful tiger finds out that the wolves are harboring a human, Mowgli is forced to leave the only home he’s ever known. With his panther guardian and friend, Bagheera, and a playful bear he meets along the way, Baloo, Mowgli struggles to figure out who or what he really is while trying to find his new place in the jungle.

It started with Alice in Wonderland, then Maleficent (Sleeping Beauty), and then Cinderella, and now The Jungle Book – with all these reboots coming out of old animated movies, I feared it was only a matter of time before it felt gimmicky. Hell, when I found out they were making a live-action version for this film, I couldn’t care less. Nothing about it spurred interest. But as luck would have it, so far, all of these reboots have been wonderfully reimagined and The Jungle Book was definitely no exception!

There’s nothing not to like about this movie. Except maybe for a few tonal inconsistencies – which are completely forgivable, btw – and a sporadically indiscernible nighttime panther-tiger fight scene, the story, the characters, the acting and voice acting, and the visual production were all pretty much faultless.

That Neel Sethi kid, who plays Mowgli, was adorable! (As most talented kids are) But props to him for his seamless (what I assume was) tennis ball acting. And let’s not forget that this kid was the only actual actor on screen for a whole 2 hours! That’s pretty incredible!

Net as wolf boy Mowgli.

Neel Sethi as wolf boy Mowgli.

The rest of the cast were CGI, but their talent still radiated. What else would you expect when you’ve got a powerhouse cast of Ben Kingsley (Bagheera), Bill Murray (Baloo), Idris Elba (Shere Khan), Giancarlo Esposito (Akela), Scarlett Johansson (Kaa), Lupita Nyong’o (Raksha) and Christopher Walken (King Louie)? Every single one of them (and I do not exaggerate) gave their characters distinction, authority, eloquence, and sharp, penetrating emotion. I especially loved Esposito’s protective and regal Akela, Kingsley’s stern but refined Bagheera, and Elba’s piercingly terrifying Shere Khan.

You know how some actors are just perfect for their roles? Like Morgan Freeman as God's voice? Well Idris Elba was born to be this tiger!

You know how some actors are just perfect for their roles? Like Morgan Freeman as God’s voice? Well Idris Elba was born to be this tiger!

But their animated state never really diminishes the clarity of their portrayals. In fact, the incredibly detailed animation work elegantly accentuates each performance. There are restrained facial ques you catch when characters are feeling joy, or fear, or anger, or pride. The facial detail and the pronounced vocal work unmistakably define each character’s mental and emotional state at any moment in time. But the expressions never go overboard; it stays subtle enough to honor the film’s general commitment to realism.

And commitment it had. These are animals that speak English, so there’s obviously going to be that break from reality, but aside from that fact, you could hardly tell them from the real thing! Their body language and ticks, the character designs, and their natural inclinations were all meticulously taken into account making the CGI practically indistinguishable from the stuff you see on Nat Geo!

The visual excellence doesn’t stop there. The setting, the jungle itself, was a living, breathing, jaw-dropping work of art. The film’s ferocious devotion to detail extends to this majestic and immersive world they’ve built, from Kaa’s dark, damp, treetops, or Baloo’s bright, colorful riverside, each location was as stunning as it was deliberate. Individual locations emanated unique auras and told their own specific stories. This truly was a movie about the jungle in all its unbelievable glory.

But all the visual and dramatic superiority would amount to nothing if it didn’t have a worthy story as its backbone. Luckily The Jungle Book’s relatively simple narrative was extremely enjoyable and hits all the right notes. It was simultaneously for children and adults, lighthearted and terrifying, straight-forward and reflective. There’s simply something for everyone to enjoy.

The Jungle Book had the most interesting themes – human ingenuity, human nature, the relationship of man and nature and ecological interdependence, and finding one’s identity and place in society – and it’s all presented in a cohesive and compelling manner.

Great visuals and a captivating content and you’ve got a film riddled with beautiful moments. It’s essentially an album of breath-taking nature snapshots you want to take home and frame and put up your wall. The special effects with the careful shot composition along with a scene’s emotional element made The Jungle Book a genuinely moving experience.

It's not filled with beautiful shots but MOMENTS.

It’s not filled with beautiful shots but MOMENTS.

On a final note, I obviously also have to mention the film’s music. While the reboot doesn’t have the same showiness compared to its source film, the “Bare Necessities” number worked extremely well (if not better than the original!) and it’s in big part thanks to Murray’s musical pizazz. Walken’s “I Want To Be Like You” I thought was less effective though. It gave off a weird vibe, since the song itself was intrinsically goofy, but Mowgli and the scene was screaming doom and gloom. But like I said from the start, as faults go, this barely registers.

Among all the reboots so far, The Jungle Book is probably my favorite. Whether or not you’ve seen the original is irrelevant, you’ll find this movie enjoyable either way. The Jungle Book was a wonderful film that’s consistently good in all respects. The fact that you forget that this is all artificial is a testament to its technical accomplishment, but its beauty isn’t limited to the aesthetics but also in its subject matter and skilled performances. It’s a movie that tickles your senses, as much as it does your mind and heart and it no doubt elevates the classic animated movie to new heights.


Michael Alegre, or Magic Mike to his female clients, is a shower-singing, soccer-playing, slightly above average looking, NERD. His pop culture love extends from comic books and video games to movies and TV! When he’s not struggling to read the countless comic books on his backlog, or watching the gigabytes worth of TV shows he’s illegally downloaded, he writes about things he fancies for POC and his blog, But he’s not a critic. He’s a fan. He loves things too much and is much too biased towards hisfandoms for his opinions to hold any legitimacy. 
Also, nothing in his educational or corporate background makes him qualified to write. Someone should seriously stop him from typing words.
Michael Alegre (94 Posts)

Write a comment

Your email address will not be published. Required fields are marked *


You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>